The body of work shown in the exhibition, Other Masks, stems from an ongoing project entitled Mask House, which offers a grieving man a hidden space of refuge in the woods. Included in the exhibition is a range of artifacts that explore the periphery of architectural representation; while orthographic drawings and a scale model provide the work with an architectural center of gravity, pieces such as a stone bas-relief and seven sculptural masks engage the overlapping domain of art.
Other Masks situates the artifact of the mask within the context of the discipline of architecture. An artifact is an object of intrigue that elicits close readings and analyses, which in turn may reveal evidence of its culture and its use. A close reading of an artifact involves examination of all of its physical characteristics, including its figural, structural, material, and decorative features. This study is done not only with the aim of identifying the cultural significance of the particular object, but also with the broader aspiration of understanding the rituals and values of the users of the object, and those of its makers. The most curious of artifacts are those whose features invoke multiple, competing interpretations of their cultural significance.
For WOJR, the making of architecture is the making of artifacts. To think about the design of a work of architecture as such is to regard the acts of making form and reading form as simultaneous and inseparable. Being attuned to architecture in this particular way has lead to a practice that is invested deeply, if not wholly, in the agency of architectural form as the medium through which cultural commentary is conveyed.
This exhibition is made possible through the generous support and fabrication of Quarra Stone.